The Live Feed begins with 731 in containment, a metal box that is fairly roomy by Insex standards. She can sit up and fully straighten her legs. The front opening of the box is covered with a metal grate. 731 pees into a metal pan, the hiss of her urine patters against metal.
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Her nose itched. Her hair, tangled and matted from how she fought so hard, had fallen across her face. The shackles, heavy and small for her wrists, bruised and pinched her skin each time the lorry hit another pothole. On purpose, she thought. The goddamn driver was getting off listening to them all, some crying, others senseless. Just screaming.
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62’s long ordeal (aided and abetted by 912) runs the gamut of edgy BDSM, from rope and leather bondage to whipping and caning to forced penetration and machine fucking, all real-time action compiled from the live broadcast of October 6, 2004.
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Dangling by her ankles with her face in 625’s cunt, koko face-fucks, sucks, and bites. She even gives 625 a little kiss. Bound, shocked, and whipped, 625 takes the brunt of PD’s fun until her cunt is raw and juicy. She comes hard at the end, sucking in the full, ripe scent of koko’s fuckhole.
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Painslut Eris comes to the Insex studio for a new BDSM experience. Besides using her body, PD changes her identity. She is now 922. A day at the studio and then off to the farm to do some hard work out in the field. Little does she know what she is about to take on with PD.
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There’s something about Miko. She perturbs men, hooks them, makes them want to hurt her just a little, or maybe more than a little. In PD, you feel danger, you feel frenzy, something reckless. Maybe it’s her silence, and how she waits. With Cyd, it’s in the way he ties the ropes. As though he’s been eaten alive by this monster named Miko. Or maybe none of that. Maybe it’s only rape.
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Coercive procedures are designed not only to exploit the resistant source’s internal conflicts and induce him to wrestle with himself but also to bring a superior outside force to bear upon the subject’s resistance. . . All coercive techniques are designed to induce regression. (Human Resource Exploitation Training Manual, Central Intelligence Agency.)
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Caged is the documentation of day one of 101’s 48 hour Live Feed. Her ordeal is chronicled throughout the piece by a clock in the background.
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62, also known as the brat, is slowly and painstakingly deconstructed for two days before her live feed. The interchangeable but continuous use of two elements, the hood and the box, create a psychological bifurcation of her body, debilitating her physique and devastating her sense of reality.
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“Pity is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the human sufferer. Terror is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the secret cause.” James Joyce (1882-1941), Irish author. Stephen Dedalus, in A Portrait of the Artist as a Young Man, ch. 5 (1916). Outlining his aesthetic theory.
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Dairy available here.
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