In the darkness, my fear is heightened. The anticipation of what’s to come builds inside my gut. In the darkness, I submit control. Acting on instinct, I take no responsibility for my actions. In the darkness, I see a little more clearly. I can no longer feel the mask that keeps me in the dark. My barrier from reality has become a part of me. It has become….comfortable.
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YX starts as a fully bridled pony. She strikes a stunning pose in a cupless black corset, thick leather collar, clamps on each nipple attached with chain, and her head bridled with bit in mouth. She wears pony boots that bring her up on her toes. Her hands are in black leather mitts, the fingertip rings attached to the back of her collar then pulled forward to the front of her chest. Her elbows are strapped behind her back so that her arms are taut, thrusting her breasts forward. A pony tail, attached to a butt plug, hangs from her ass. Bells dangle from her crotch strap, jingling as she shuffles, much as tethered horses shuffle in place. She is tethered with chain to the arm of a post. The arm moves in a circle, somewhat like a lunge rope used to train and exercise horses.
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Miss Hudson sits prim in her argyle sweater and light brown skirt. He enters and sits at his desk. As the interview begins, she crosses her legs and levels her librarian look over her glasses. After a few questions, he feels compelled to tie her wrists. Her elbows are bound and her upper arms tied fast to the chair back.
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62’s long ordeal (aided and abetted by 912) runs the gamut of edgy BDSM, from rope and leather bondage to whipping and caning to forced penetration and machine fucking, all real-time action compiled from the live broadcast of October 6, 2004.
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Arabesque, released in the raw after az’s September, 2001 live feed, paints us a portrait of an untried, vulnerable az, willing to sustain extreme duress. The distilled Arabesque brings az to tears repeatedly as she’s taken through a series of ballet-like positions and exercises. After all, the arts are a form of torture, and in Arabesque, torture becomes a form of art.
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In the second article in cowgirl’s 12-hour endurance series, the tension builds and the torture intensifies. On her belly, cowgirl is shackled to a long copper sink, prepared for an internal and external cleansing. Her flat stomach distends as an enema is dripped into her pearly upheld ass. Painfully bloating and cramping, she begs to release the fluids…
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geitia is twenty-five, nearly six feet tall, has large firm breasts, a slim waist, and an ass you just want to eat. Though her kink is Pony Play, geitia takes a romp through the wild world of sexual bondage and torment. She accepts canes, whips, and a cattle prod with relative ease. It’s the tickling she can’t abide. But caning will get her clit up. And what a clit geitia has. Pink and smooth, it looks to get an erection, emerging hard and gleaming from beneath its fleshy hood.
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white noise – I watched with trepidation as my strange bed was wheeled out in front of me. Wires, tubes, fluid bags, suction and electricity. The platform awaited me; it loomed eerily before me, all the tools of horror in anticipation of my naked body.
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Skythe returns in an article filled with predicament bondage and the zing of electricity. She begins naked, her arms bound behind. Her left ankle and toe are tied to a very tightly ballooned left breast. Her right leg is lifted, pulling her off balance and the rope is run through a pulley and tied to her other breast, so taut it looks to pop.
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92’s smooth breasts, thighs, ass, and pussy are subjected to bondage for the first time in her life. She’s trained in cocksucking and fucking, but her greatest trial is the supreme torment that bondage itself inflicts upon a willing postulant.
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Dairy available here.
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